Studies in Phenomenology



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SECRET OF “ALWAYS ALREADY” (OF THE LOST TRACE OF PHENOMENOLOGY) IN DECONSTRUCTION OF DERRIDA

Title in the language of publication: ЗАГАДКА «ВСЕГДА УЖЕ» (УТРАЧЕННОГО СЛЕДА ФЕНОМЕНОЛОГИИ) В ДЕКОНСТРУКЦИИ ДЕРРИДА
Author: ANTON VAVILOV
Issue: HORIZON. Studies in Phenomenology.
Vol. 12, №1 (2023), 115-140
Language: Russian
Document type: Research Article
DOI : 10.21638/2226-5260-2023-12-1-115-140 PDF (Downloads: 1575)

Abstract
Based on key texts of Derrida as well as his interviews and recently published seminars the article presents a “micrological” analysis of deconstructivist thought in the context of its appeal to phenomenology of Husserl and fundamental ontology of Heidegger. Derrida begins his intellectual path with a reflection on the most important topics of Husserlian phenomenology and discovers in the descriptions of temporalization a paradoxical movement of the immanent self-deconstruction of phenomenology. It from within undermines its own basic principle of the primordial givenness of the living present to itself in its whole presence. From the point of view of Derrida’s deconstruction, the living present of self-presence of the transcendental ego, like itself, is no longer the original source of sense, meaning, knowledge and experience but rather the effect of difference. Derrida discovers the radical constitutive dependence of the present on the trace of the inevitably lost past, thus, his thought resolutely destroys the primordial nature of the present and roots it in the true “origin” as a game of delays and differences. Similarly, Derrida criticizes the project of fundamental ontology. While Heidegger conceives of the ontological difference between being and Being as the last hidden basis of any question in the discourse of metaphysics, Derrida insists that this differentiation is derived from différance as an even more primordial movement of difference. And although Derrida claims to have a more essential comprehension of the core of metaphysics compared to Husserl and Heidegger and even confidently classifies their philosophical work ones to the field of metaphysics, he continues to use the resources of phenomenological and transcendental discourse again and again, leaving them without any criticism. The most telling example here is the use of the phrase “always already” (toujours déjà, immer schon), incredibly common in the works of Heidegger and Husserl (as well as most other most famous modern phenomenologists) and accompanying most of Derrida’s texts. In this article we seek to draw attention to the mystery power of this phrase, which hides the secret of the origins of phenomenological, fundamental-ontological, transcendental, and deconstructivist discourses as such, and also to demonstrate the possibilities of self-deconstruction of deconstruction, which with new urgency returns us to the problem of defining the limits of metaphysics and the “margins of philosophy”.

Keywords
metaphysics, phenomenology, deconstruction, Being, time, temporality, trace, Derrida, Husserl, Heidegger.

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THE PHENOMENOLOGICAL OUTLOOK ON CRITIQUE OF IDEOLOGY

Title in the language of publication: КРИТИКА ИДЕОЛОГИИ В ФЕНОМЕНОЛОГИЧЕСКОЙ ПЕРСПЕКТИВЕ
Author: MARIA STENINA
Issue: HORIZON. Studies in Phenomenology.
Vol. 12, №1 (2023), 173-194
Language: Russian
Document type: Research Article
DOI : 10.21638/2226-5260-2023-12-1-173-194 PDF (Downloads: 1495)

Abstract
The article further elaborates on a project of phenomenological critique of ideology and reveals its potential for the discourse of literature. Since the paradigm of studying ideology as a ‘false consciousness’ set in classical Marxism run into several problems connected with the transition from being in ideology to performing its critique, a genuine way out of it became impossible due to the totality of a discursive structure common to them. The articulation of this paradox in Karl Mannheim, Louis Althusser, Paul Ricœur, Michel Pecheux, and Mikel Dufrenne changed the way of statement of the question, shifting the emphasis from the content of ideology and its characteristic features to the status of a critic who is inevitably hypostatizing his thinking. The change of perspective, in turn, entailed a transformation of the method: while the previous tradition focused on finding a connection between the distorted representation of reality in ideological consciousness and the social position of its bearer, structuralist and phenomenological approaches tend to consider the contingent content of consciousness as an inevitable consequence of its structuring always-already-given horizon of meaning. Working with the latter, Mark Richir introduces the concept of a symbolic institution—the domain of meaning, which determines the human habitus, providing it with linguistic and cultural practices that have lost their phenomenological origin. In this framework, the criticism of ideology is understood as an exit from a symbolic institution, albeit temporary. Mark Richir thematizes this exit as an encounter between symbolic and phenomenological registers, i. e. a phenomenological challenge that assumes the agent of the reduction. Nevertheless, gaining a foothold 'outside' the symbolic institution is impossible: the overcome symbolic order undergoes recoding over time. Therefore, the phenomenological criticism of ideology cannot offer a normative program of a presumed non-ideological field to which the previous tradition aspired. The work hypothesizes that such critique is given as a trace of a once-perfect exit from a symbolic institution and is subject to interpretation as evidence. The development of this hypothesis is presented in the final, practical part of the work.

Keywords
critique of ideology, conversion, symbolic institution, Marc Richir, instrumentalization of phenomenology, moscow conceptualism.

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PHENOMENOLOGY OR STRUCTURALISM. FOUCAULT, DERRIDA AND THE PASSIVE SYNTHESIS

Title in the language of publication: PHÉNOMÉNOLOGIE OU STRUCTURALISME. FOUCAULT, DERRIDA ET LA SYNTHÈSE PASSIVE
Author: VITTORIO PEREGO
Issue: HORIZON. Studies in Phenomenology.
Vol. 12, №1 (2023), 30-47
Language: French
Document type: Research Article
DOI : 10.21638/2226-5260-2023-12-1-30-47 PDF (Downloads: 1437)

Abstract
Foucault and Derrida react in two different ways to the new paradigm imposed by structuralism. Foucault uses structuralism to overcome phenomenology, in fact structuralism shows the naivety of phenomenology, in its claim to rely on conscience to constitute meaning. Instead, Derrida on the contrary immediately nurtures a certain distrust of structuralism, especially in its philosophical ambitions and uses the resources of phenomenology to criticize it, showing the metaphysical implications operating in it. We want to show how this opposing position is generated by the specific way in which the two philosophers have responded to the open problems and bequeathed by Husserlian phenomenology. In particular, the theme of “passive genesis,” which was raised in the French debate by Tran-Duc-Thao and Merleau-Ponty, is central. In the first writings it emerges how Foucault has received Merleau-Ponty’s theses and it is precisely to overcome them that he inaugurates an archaeological analysis to try to distance himself from the normalizing anthropological discourse present in the passive synthesis. Derrida reads passive genesis in a radically different way from Merleau-Ponty (and therefore Foucault): the radical nature of Husserl’s phenomenology has opened a space to question the transcendental genesis of philosophical discourse and its possibility of transcending its historical, social and psychological genesis and therefore the sciences that preside over these dimensions. Consequently, showing the naivety of structuralism, Derrida’s research of the sixties is configured as post-structuralist.

Keywords
Foucault, Derrida, Merleau-Ponty, phenomenology, structuralism, passive synthesis, transcendental genesis.

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“LA DIFFERANCE” AND “RIEN ENROULE”: YOUNG MARC RICHIR READS DERRIDA

Title in the language of publication: «РАЗЛИЧАНИЕ» И «СВЕРНУТОЕ НИЧЕГО»: КАК МОЛОДОЙ РИШИР ЧИТАЕТ ДЕРРИДА
Author: DENIS MIKHAYLOV
Issue: HORIZON. Studies in Phenomenology.
Vol. 12, №1 (2023), 141-158
Language: Russian
Document type: Research Article
DOI : 10.21638/2226-5260-2023-12-1-141-158 PDF (Downloads: 1552)

Abstract
This paper analyzes the influence of J. Derrida’s philosophy on the early thought of French phenomenologist M. Richir. Main texts for the analysis are Derrida’s report « La Différance » and the article « Le Rien Enroulé » by Richir. The author stresses their deep figurative and substantive interconnectedness. Thus, Richir borrows from Derrida a number of key philosophical figures, including the figure of différance itself, and applies them to phenomenological landscape through the “first-person” narrative. Having examined the correlation between Derrida’s figures of différance and Richir’s phenomenalization, the author concludes that Richir, influenced by the impersonal figure of différance, leads his “first-person” narrative in an attempt to take it beyond the limits of classical phenomenological discourse. Moreover, the author finds preconditions for Richir’s introduction of one of his early key concepts “nothing” (rien) in the text of Derrida’s « La Différance ». The main thesis of this research is: Richir borrows Derrida’s understanding of consciousness and performs phenomenological description from its perspective. The paper considers Derrida’s text as a key to understanding Richir’s article « Le Rien Enroulé » and, as a result, the key to his early philosophy in general.

Keywords
Marc Richir, Jacques Derrida, new French phenomenology, structuralism, nothing, difference, phenomenalization.

References

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  • Carlson, S. (2010). L’essence du phenomena: La pensée de Marc Richir face à la tradition phénoménologique. Eikasia. Revista de Filosofía, 34, 199–360.
  • Chernavin, G. (2014). The Preface to the Translation of “’Eποχή, Flicker and Reduction in Phenomenology” by Marc Richir. In (Post)phenomenology in France: The New Phenomenology in France and Beyond (204–208). Moscow: Akademicheskii proekt Publ. (In Russian)
  • Derrida, J. (2000). Differance. In “Voice and Phaenomenon” and Other Works in Theory of Sign (169–208). Rus. Ed. St. Petersburg: Aleteia Publ. (In Russian)
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  • Richir, M. (1970). Le Rien Enroulé. Esquisse d’une pensée de la phénoménalisation. Textures, 70 (7.8), 3–24.
  • Richir, M. (2020). Defenestation. Horizon. Studies in Phenomenology, 9 (2), 760–781. (In Russian)
  • Saussure, F. de (1999). Course in General Linguistics. Rus. Ed. Ekaterinburg: Izdatel’stvo Ural’skogo Universiteta Publ. (In Russian)
  • Yampolskaya, A. (2017). Phenomenological Reduction as Artistic Device. Voprosy Filosofii, 2, 156–166. (In Russian)
  • Yampolskaya, A. (2019). The Art of Phenomenology. Moscow: RIPOL klassik Publ. (In Russian)

Article/Publication Details
Views: 1388


DERRIDA’S OTHER TRANSCENDENTAL AESTHETIC

Title in the language of publication: DERRIDA’S OTHER TRANSCENDENTAL AESTHETIC
Author: CARLOS LOBO
Issue: HORIZON. Studies in Phenomenology.
Vol. 12, №1 (2023), 48-73
Language: English
Document type: Research Article
DOI : 10.21638/2226-5260-2023-12-1-48-73 PDF (Downloads: 1388)

Abstract
By going back to the starting point of Derrida’s debates with some of the main representatives of structuralism in France, I propose to highlight the ambiguities that cover the very notion of structure, and to take the measure of the exact role that the reference to phenomenology plays then and will continue to play thereafter. Among these ambiguities: the one that touches the mathematical notion of structure, central in the triumphant structuralist mathematical current in France at that time; and especially: the one called “groups of transformations,” the most important one to understand at the same time the audacities and the impasses of structuralism. The hard core of mathematization of modern physics, with Galileo’s principle of relativity, then developed in a masterly way in Einstein’s theory of relativity rest on this very structure. After tracing the broad outlines of these initial discussions, we engage in an analysis of how it is possible to understand the “epistemological contemporaneity” of relativity theory and Husserl’s transcendental aesthetics. Based on a thorough exploration of the analyses of the intersubjective constitution of space, time and the objective common world, we identify this central structure that Husserl calls “intersubjective group of transformation.” Equipped with this phenomenological structure, we trace this motif in Derrida’s work. Its insistence allows us to understand how the phenomenological premises of his critique of structuralism can help to understand his theoretical positions, especially in contrast to Jean-Luc Nancy.

Keywords
structure, group of transformation, relativity, coordinate system, intersubjectivity, space and time, body.

References

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Article/Publication Details
Views: 1461


SCHELLINGIAN MOTIVES IN M. RICHIR’S PHENOMENOLOGY: PHENOMENOLOGICAL UNCONSCIOUSNESS AND TRANSCENDENTAL HYPNOSE

Title in the language of publication: ШЕЛЛИНГИАНСКИЕ МОТИВЫ В ФЕНОМЕНОЛОГИИ М. РИШИРА: ФЕНОМЕНОЛОГИЧЕСКОЕ БЕССОЗНАТЕЛЬНОЕ И ТРАНСЦЕНДЕНТАЛЬНЫЙ ГИПНОЗ
Author: KATE KHAN
Issue: HORIZON. Studies in Phenomenology.
Vol. 12, №1 (2023), 195-215
Language: Russian
Document type: Research Article
DOI : 10.21638/2226-5260-2023-12-1-195-215 PDF (Downloads: 1461)

Abstract
The article provides a philosophical reconstruction of the composition of key motives in the phenomenological project of Mark Richir, who is known for his criticism of the symbolic institution. Following Richir’s deep inspiration in Schelling’s philosophy allows to find connections between his theory of the phenomenological unconscious and affectivity, his commentaries concerning Greek mythology and mythological thinking in La Naissance de Dieux—and his political theory. Along with general historical and philosophical comments on a number of translations of Schelling into French, Richir repeatedly refers to Schelling in his own theoretical arguments. The research shows how some of Richir’s concepts — in particular, his interpretation of the phenomenological unconsciousness, myth, the Protean nature of power, the change of grand epochs as a change of types of the symbolic institutions of power—can be understood on the basis of relevant passages from Schelling’s philosophy, and how a semantic genealogical connection between them can be built. By considering the importance of the phenomenological unconsciousness in the course of phenomenalization process as described in Richir’s works, it is proposed to contrast the interpretation of the unconsciousness, which retains its simple mystery and the ways of dealing, with it in Richir’s version: while psychoanalysis is striving for the “disenchantment” of the unconsciousness by means of translating it into the symbolic language and transferring the living potentiation of meaning into the reproduction of a symptom. Richir’s phenomenological appeal to mythology turns out to be a non-trivial shift from theoretical philosophy to practical philosophy. The article also pays attention to the theory of power in Richir and Lefort, which presumably dates back to La Boétie. It is proposed to reveal the antithesis of the imaginary policy of the despot proposed by Richir, reproducing the symbolic institution of power and supporting the transcendental illusion of the need for control and order in the form of a kind of “hypnosis”—and real politics as a praxis of freedom.

Keywords
Richir, Schelling, phenomenological unconsciousness, phenomenalization, affectivity, mythology, sublime, tyrannic, transcendental hypnosis.

References

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