- 20 June 2014
|
ISSN 2226-5260 (Print)
St. Petersburg State University HORIZON Studies in Phenomenology STUDIEN ZUR PHÄNOMENOLOGIE
Volume 11, Number 2 2022 |
CONTENTS
I. RESEARCH
ONTOLOGY OF THE WILL – GEIGER, PFÄNDER, HUSSERL |
495-516 |
| DOI : 10.21638/2226-5260-2022-11-2-495-516 |
HUSSERL’S LANGUAGE OF NEUTRALITY |
517-543 |
| DOI : 10.21638/2226-5260-2022-11-2-517-54 |
THE “WATERWHEEL” OF GUILT: THE TAUTOLOGY OF CONSCIENCE IN WITTGENSTEIN’S NOTES |
544-557 |
| DOI : 10.21638/2226-5260-2022-11-2-544-557 |
WHY PHENOMENOLOGY COULD NOT COMMIT THE LINGUISTIC TURN? |
558-583 |
| DOI : 10.21638/2226-5260-2022-11-2-558-583 |
THE PHENOMENON OF MUSICAL IDENTIFICATION. A VIEW FROM HEIDEGGER’S EARLY PHENOMENOLOGY |
584-606 |
| DOI : 10.21638/2226-5260-2022-11-2-584-606 |
PHENOMENOLOGY OF MUSICAL UNDERSTANDING: THE CASE OF ROCK MUSIC |
607-624 |
| DOI : 10.21638/2226-5260-2022-11-2-607-624 |
ON HEIDEGGER AND ORTEGA Y GASSET: THE SPANISH BEING AND ITS TRAGIC CONDITION OF EXISTENCE |
625-640 |
| DOI : 10.21638/2226-5260-2022-11-2-625-640 |
THE PROBLEM OF THE CATEGORIAL IN THE PHENOMENOLOGICAL ANALYSIS OF PERCEPTION: HUSSERL AND HEIDEGGER |
641-665 |
| DOI : 10.21638/2226-5260-2022-11-2-641-665 |
THE PROBLEMATICS OF REALITY IN CONTEMPORARY ANTI-REALIST PHILOSOPHICAL THEORIES (CRITICAL REVIEW) |
666-688 |
| DOI : 10.21638/2226-5260-2022-11-2-666-688 |
ON THE PHENOMENOLOGICAL HORIZONS OF THE METHODOLOGY OF HISTORY OF A.S. LAPPO-DANILEVSKY |
689-710 |
| DOI : 10.21638/2226-5260-2022-11-2-689-710 |
II. TRANSLATIONS AND COMMENTARIES
THE PREFACE TO THE TRANSLATION OF AL. KOJÈVE’S ARTICLE “NOTE ON HEGEL AND HEIDEGGER” KOJÈVE’S NOTE IN-AND-FOR-ITSELF |
711-719 |
| DOI : 10.21638/2226-5260-2022-11-2-711-719 |
| NOTE ON HEGEL AND HEIDEGGER (Trans. from French by ) |
720-734 |
| DOI : 10.21638/2226-5260-2022-11-2-720-734 |
III. BOOK REVIEWS
GEORGY CHERNAVIN PHILOSOPHY OF THE TROLL. THE PHENOMENON OF PAID BOTS Moscow: RIPOL klassik, 2021. ISBN 978-5-386-13894-3 () |
743-750 |
| DOI : 10.21638/2226-5260-2022-11-2-743-750 |
Views 66
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Social networks:
