- 29 June 2016
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MARC RICHIR
PHENOMENOLOGY OF THE POETIC ELEMENT
Title in the language of publication: |
МАРК РИШИР ФЕНОМЕНОЛОГИЯ ПОЭТИЧЕСКОГО ЭЛЕМЕНТА |
Translation from French: | Roman Sokolov |
Ed. by: | Georgy Chernavin |
Issue: |
HORIZON. Studies in Phenomenology. Vol. 5, №1 (2016),  281-298 |
Language: | Russian |
Document type: | Translation |
Translated from: | Richir, M. (1988). Phénoménologie et institution symbolique. Grenoble: Jérôme Millon. |
DOI : 10.18199/2226-5260-2016-5-1-281-298 | PDF (Downloads: 3686) |
Abstract
This publication is a translation into Russian of Marc Richir’s article Phenomenology of the poetic element,
accompanied by a preface of translator. In his article Richir reveals «poetic element» of phenomenal
experience as its fundamental condition, relying on it as a tradition and techniques of transcendental
phenomenology and the empirical study of psychoanalysis. Richir gives concrete empirical content
borrowed from Husserl’s concept of perceptual fantasies, referring to the theory of D.V. Winnicott’s
«transitional object», and then extrapolates the results to the experience of creation and perception of
the «poetic» work (knowing the latest in a broad, Aristotelian sense). Perceptual imagination of Richir’s
phenomenology should be separated from «pure fantasy»: the latter is a «minimum level of conceptual
self-image». It has been in existence as «the rudiments of sense», which take place in a passive synthesis of
«extra-linguistic peace schematism». Pure fantasy becomes perceptive fantasy just when there is inversion
(revirement) «germ of meaning» in the «sense bud», thanks to some fancy a change of perspective.
This process involves the formation of a special «field of play» (Winnicott), or transcendental interfact
space, which establishes a primary (preintentional) type of relationship between the two egos: the baby
and mother, spectator and actor. In this respect, perceptual «sees» in fantasy not an object, and the
other perceptive imagination in the fantasy that belongs to another. This formed the primary locus of
communication: interfact transcendental space that is being «played intentionally», then it becomes a
space of intersubjectivity. Dating back to some fancy-affective sphere, perceptive fantasy (or «poetic
element») has a «phenomenological redundancy» in comparison with the logical concept. Therefore,
one can speak about a special type of knowledge of reality beyond its objectivist and logical explication.
Key words
Transcendental phenomenology, perceptive fantasy, poetic element interfact transcendental,
transitional field transcendental bosom, the phenomenon of language, formless, fantasy-affectation, the
experience of the sublime.
References
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